Amjad Ali Khan
Ustad Amjad Ali Khan is a highly acclaimed Indian sarod player and composer.Read More
Khan was born in Gwalior, Madhya Pradesh in 1945, is the sixth-generation sarod player in his family and his ancestors have developed and shaped the instrument over several hundred years. "You could say it's my family instrument", says Khan, "Whoever is playing the sarod today learned directly or indirectly from my forefathers."
His forefathers came from Afghanistan to India's relaxed music atmosphere and brought the Rabab which later developed into Sarod. The modern sarod has undergone modifications to improve its tonal quality, notably from Ustad Allauddin Khan and his brother Ayet Ali Khan of the Maihar Gharana.
Khan was taught by his father Hafiz Ali Khan, a musician to the royal family of Gwalior; he was born to the Bangash lineage rooted in the Senia Bangash School of music and is the sixth generation inheritor of this lineage.
Amjad Ali Khan has developed a unique style of playing the sarod. The key innovations in his style are compositions based on vocal music, the technical ability to play highly complex phrases (ekhara taans) on the sarod spanning three octaves and the emphasis on simple and elegant compositions. His technical mastery and control over his instrument is unsurpassed - a fact acknowledged by most musicians.
He has simplified the instrument by removing some strings (his sarod has only two jod and chikari strings and 11 tarab stings) and has also removed the resonant gourd (tumba) which is in use by other sarod schools. His base frequency is also lower than the other schools. His instrument is made by Hemen Sen of Kolkata, who also makes the sarod for other leading maestros such as Ali Akbar Khan.
His playing does reflect the older dhrupad tradition and he places emphasis on the conventional technique of "dara diri" using the plectrum made of coconut shell (java). However, his chief innovation is his ekhara taans (complex high speed phrases), something which many sarod players find very difficult to do. Paraphrasing his words "I asked my father why the sarod could not keep up with sitar when it came to taans....my father explained that the sarod was a much more difficult instrument to play, not having frets ... it is then I resolved to develop a style where I could match sitar like taans...".
'93 'Til Infinity