William Orbit
111 Shouts - 2,394,124 Scrobbles
Biography
ambient pioneer, studio master, and omnipresent dance remixer William Orbit began his musical career in the new wave band Torch Song. Even while the group recorded several albums for IRS, Orbit remained in the studio to learn the ropes and began producing and remixing for artists including Sting, Madonna, Prince, The Human League, Erasure, and Belinda Carlisle. Orbit concurrently recorded his own material, and released his first solo album, Pieces in a Modern Style, in 1987. That same year, he inaugurated the ambient project Strange Cargo, which released follow-up albums in 1990 and 1993. Also during the late '80s, Orbit latched onto the house explosion in England and founded one of the scene's most notable labels, Guerilla Records. Orbit's own Bassomatic recorded for Guerilla alongside British progressive acts Spooky and React 2 Rhythm plus excellent Chicago producers Felix Da Housecat and DJ Pierre. Through Virgin, Bassomatic also released an album, Set The Controls For The Heart Of The Bass.
Read More...Though his release schedule slowed slightly during the '90s, William Orbit continued producing and remixing at a furious pace. He also founded a new label, N-Gram Recordings, and prepared to release the classical work Pieces in a Modern Style. The album, which featured electronic interpretations of classical pieces, drew angry protests from composers Arvo Pärt and Henryk Górecki, and they helped block the album's release. In 1998, after 15 years of behind the scenes post-production, Orbit's name hit the mainstream thanks to his helming the Madonna comeback album Ray of Light (Orbit not only produced the entire LP, but co-wrote many of the tracks). The album won Grammy awards for Best pop Album and Best Dance Recording, and its success led to a host of remixing and production work, including Blur's 1999 album, 13. In 2000, Orbit finally released Pieces in a Modern Style, and the album became an unexpected hit thanks to Ferry Corsten's trance remix of Samuel Barber's Adagio for Strings. In 2006 he returned with Hello Waveforms on the Sanctuary label. Finley Quaye appeared on the album along with former Torch Song/Strange Cargo vocalist Laurie Mayer. My Oracle Lives Uptown followed in 2009 on the Kobalt label, and one year later he released Pieces In A Modern Style Vol.2, another edition of classical material, including Orbit's version of "Swan Lake." ~ John Bush, Rovi
Top Tracks
Total plays on Last.fm over the last 6 months- Water From A Vine Leaf - (7:00) - 4,944 plays
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- Barber's Adagio For Strings - (9:35) - 4,389 plays
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- The Story Of Light - (6:16) - 4,015 plays
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- Adagio for Strings - (9:38) - 3,336 plays
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- You Know Too Much About Flying Saucers - (4:58) - 2,792 plays
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- Sea Green - (6:21) - 2,943 plays
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- Spiral - (4:56) - 2,220 plays
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- Time To Get Wize - (4:05) - 1,732 plays
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- They Live in the Sky - (4:56) - 1,537 plays
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- Humming Chorus - (3:36) - 1,582 plays
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- Gringatcho Demento - (6:33) - 1,311 plays
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- Fragamosia - (6:30) - 1,409 plays
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- Bubble Universe - (4:03) - 1,378 plays
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- Harry Flowers - (4:29) - 1,128 plays
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- Barber's Adagio For Strings (Ferry Corsten Remix) - (6:32) - 1,655 plays
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- In a Landscape - (2:57) - 1,589 plays
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- Surfin - (4:52) - 1,335 plays
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- Water Babies - (3:25) - 1,124 plays
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- Firebrand - (6:14) - 1,038 plays
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- Colours From Nowhere - (5:37) - 1,019 plays
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