The Number Twelve Looks Like You
0 Shouts - 4,405,746 Scrobbles
(2001 - 2010)Read More...
The Number Twelve Looks Like You (Sometimes referred to as TNTLLY or The #12) was a mathcore band from Fair Lawn, New Jersey. Combining elements of grindcore, progressive metal, and later salsa, funk and jazz the band became known as a highly influential piece in the local New Jersey scene.
In early 2002, Jesse Korman and Justin Pedrick both met through a mutual acquaintance, and recruiting Christopher Conger, Jamie McIlroy and Alexis Pareja, formed the bass-free outfit And Ever. After releasing a five-song demo and playing a handful of songs together, the band's style began to change slightly, and they soon changed their name to The Number Twelve Looks Like You, a name taken from the title of an episode of the The Twilight Zone.
In early 2003, with newly added bassist Mike Smagula, the band was heard at a live show by an A&R representative from Brutal Records, who was impressed, and informed the heads of the record label about the band. After hearing all the songs the band had currently recorded, the label signed the band in March and commissioned them to record two new songs, which along with the songs they had already recorded, were soon released on the bands first full-length album, Put on Your Rosy Red Glasses.
After extensive touring in promotion of Put On Your Rosy Red Glasses, the band began to catch the attention of Eyeball Records, and eventually they were signed in October 2004. Soon thereafter the band returned to the studio and began work on recording their first release for Eyeball, An Inch of Gold for an Inch of Time. The EP, released on January 25, 2005, featured a cover of The Knack's hit, "My Sharona", two new songs, and a re-recording of "Don't Get Blood On My Prada Shoes" and "Jesus And Tori", from their first full-length.
After a short promotional tour for An Inch of Gold for an Inch of Time, the band returned to the studio in March, and with producer D. James Goodwin, recorded their follow-up full length Nuclear. Sad. Nuclear.. Finished in seven days and later released on June 7, the album contained, amongst 10 new tracks, re-recordings of two tracks featured on An Inch Of Gold For An Inch Of Time, "Like A Cat" and "Clarissa Explains Cuntainment".
On June 19, 2007, the band released their third full length album, Mongrel.
2008 saw The #12 releasing two CDs. One was a live CD/DVD entitled, Here at the End of All Things and the second release was a limited edition "alien green" 7" titled, The Remixes.
The Number Twelve Looks Like You released their follow up to Mongrel, entitled, Worse Than Alone, on March 10, 2009. Shortly after the album release during the band's tour with Protest the Hero, Misery Signals and Scale The Summit, the band announced that Justin Pedrick had left the band due to his long-time struggle with depression and anxiety.
In early 2010, the band confirmed rumors that they had broken up. Reasons cited by the band about the split stated that it was due to internal issues with each member. The group played their final show on January 29, 2010.
Jessie (Jase) Korman - Vocals (2002–2010)
Alexis Pareja - Guitars, lap steel, keyboards, synthesizers, programming (2002–2010)
Chris Russell - Bass (2006–2010)
Jon Karel - Drums, percussion (2006–2010)
Christopher Conger - Drums (2002–2006)
Mike Smagula - Bass (2003–2006)
Jamie Mcilroy - Guitar (2002–2008)
Top SongsTotal plays on Last.fm over the last 6 months
- LyricsGive him back his sweater
that poor fellow has only orchestrated symphonies
into the poisoned ant hills
You have tried I'm afraid
don't let it hurt
- Lyricscringing at the sight, flawless face dragged
i giggled, kissing my fingers... type C and saliva bubbling
kissing my fingers...
find an easier way dying, before you get murdered...
type C and saliva bubbling
- Jay Walking Backwards - 165,516 plays
- LyricsLIGHT THE WAY, THE POT OF GOLD, WAITS FOR HANDS, FOR MY HANDS. DIA-MONDS UNLEASHED, ON THREE MEN. ONE SPIN TWO LIGHTS THREE SOUNDS-
a sphere to determine my fate. second twelve to triple up, sit and wait. all. you can eat $13.95 the, lounge act, is really good tonight. Look into the faces of these Roman gods. as they lead you to the floral patterned paradise. moving without walking, in all directions, mandatory currency change. Snake eyes and boxcars on green felt, royalty on sailboats. in the old west, there'll be a showdown at the taj tonight. circular patterns, of baked clay.
Take my throne aside, the one-eyed jack on the button first to act shuffle, my, checks with my right.
Reading super system in my mind-what would Doyle Brunson do. possible straight draw on the board-the action comes to, Push my life. (under the eye from above) one last hope (that he will lay it) down to this (he noticed my tell) calls my bluff.
Back to the automatic dispenser of, paper so I can dream again.
- LyricsThe horror they leave in three's they always do I'm holding hands with the
devil while you make your deal with jesus so let me milk your prostate with
the unborn meat fingers - Horrible your eyes implode with lucider's hammer
so you don't watch it's satisfaction guaranteed the horror this condemned
end of life three are dead one wounded you just should have planted the
- Grandfather - 147,399 plays
- The Devil's Dick Disaster - 142,632 plays
- Jesus and Tori - 181,336 plays
- Imagine Nation Express - 122,757 plays
- If These Bullets Could Talk - 130,187 plays