The Good Life
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The Good Life started out as a means for Tim Kasher to use a songwriting approach that differed from his other projects (namely, Cursive), but it didn’t take long for the solo project to become a band, and for that band to finally come into its own.
The Good Life’s sound has evolved from the refined, quiet pop of the first full-length, Novena on a Nocturn, to the moody hooks of 2002’s Black Out, to the sing-along anthems of divorce and disillusionment found on the recent Lovers Need Lawyers EP. The sum of these parts is found on Album of the Year.
Album of the Year brings all that is the sound of The Good Life to fruition – catchy, moody pop rock that fluctuates between the all-ages club and the smoky cabaret, right alongside sing-along crescendos that spin into cinematic bursts. In short, every song has a plan – every song is going someplace, and lyrically, going there will inevitably involve leaving, being left, or leaving in anticipation of being left. Kasher’s ability to cleverly turn an innocuous phrase into a malicious slur of ill will leaves you not knowing whether to laugh or cry, all the while giving you the distinct impression that you’ll be quoting him at some point down the road. With that said, could Album of the Year just as well be called Break-up Album of the Year? Maybe. But that would limit it to being compared only to other break-up albums, and, well, it can hold its own.
The follow-up to this year’s Lovers Need Lawyers EP features Tim Kasher, Stefanie Drootin, Ryan Fox, and Roger Lewis, as well as a guest vocal performance on "Inmates" from former The Good Life member Jiha Lee.
The Good Life is also a recent Nels Cline live project based on the music of Ornette Colleman. The other band memebers are: Ben Goldberg on clarinet, John Dietrich on electric guitar, Trevor Dunn on electric bass and Scott Amendola on drums.
Top SongsTotal plays on Last.fm over the last 6 months
- LyricsThe first time that I met her I was throwing up in the ladies room stall. She asked me if I needed anything; I said, "I think I spilled my drink". And that's how it started (or so I'd like to believe)...
She took me to her mother's house outside of town where the stars hang down. She said she'd never seen someone so lost, I said I'd never felt so found - and then I kissed her on the cheek... and so she kissed me on the mouth.
Spring was poppin' daises up 'round rusted trucks and busted lawn chairs. We moved into a studio in Council Bluffs to save a couple bucks. Where the mice came out at night, neighbors were screaming all the time. We'd make love in the afternoons to Chelsea Girls and Bachelor No. 2, I'd play for her some songs I wrote, she'd joke and say I'm shooting through the roof, I'd say, "They're all for you, dear, I'll write the album of the year."
And I know she loved me then, I swear to God she did. It's way she'd bite my lower lip and push her hips against my hips and dig her nails so deep into my skin.
The first time that I met her I was convinced I had finally found the one. She was convinced I was under the influence of all those drunken romantics - I was reading Fante at the the time - I had bukowski on the mind. She got a job at Jacob's serving cocktails to the local drunks. Against her will. I fit the the bill: I perched down at the end of the bar, She Said, "Space is not just a place for stars - I gave you an inch, you want a house with a yard." And I know she loved me once, but those days are gone. She used to call me everyday from a pay phone on her break for lunch - just to say she can't wait to come home.
- LyricsI swear to speak the whole truth, nothing but the truth oh, so help me God, I wasn't cheating on you. Yeah I've got a spotty record, but I've been renewed. If you can't believe me then what's to believe? Once you lose the trust you lose sincerity. I'm sick and tired of acting sincere to your accusing eyes and ears.
Oh, lovers need lawyers; all that I'm screaming's being held against me. well, You're judge and jury, so hang me or take me for all I am worth better or worse.
Yeah, I was drinking. Yeah, she was drinking there too, and, yeah, we made a connection we came from the same neighborhood. But, surely you can't charge me for that, that's merely fact merely coincidence. So, there we were, outlasting the last call. We took a cab to Iowa for more alcohol.
Yeah, we crossed the river alone; I also went home alone.
Oh lovers need lawyers. We're talking in circles, but missing the meaning of the reason we're fighting: you just want to make the best me that you can. All I am take me for all I am worth. Take me for all I am.
- Heartbroke - 151,071 plays
- LyricsI know a girl with cuts on her legs. I think that she hates the way she was made, but we never spoke of why they were there, I just squeezed them and kissed them 'til we both felt a bit better.
And now I've returned to the town where she dwells; that small lonely cabin her grandfather built, I suppose that's where she's imprisoned herself, to write all those words she's too scared to tell - those sad, short stories of a girl curled up in her shell.
Night and day she tends to the bar. She pours the drinks, they pour out their hearts. All that sorrow and alcohol weighs hard on her thoughts, so she writes them down....she loves them all.
And when we'd make love she'd stare in my eyes.... I swore we had met a thousand times. Thousands of lives, thousands of nights.... She'd written of it a thousand lines.
Night and day she tends to her bar. She pours me a drink for my parched heart. All my sorrow's in alcohol... she holds up the cup to my cracked lips for a kiss.
- LyricsYou look at me like you've been saved
From another one that got away.
So I'm your latest cup of tea
To keep your cold hands company,
And I will warm you.
- Inmates - 166,643 plays
- I Am an Island - 98,261 plays
- A New Friend - 108,251 plays
- You're No Fool - 115,295 plays
- You're Not You - 118,020 plays