Nelson Rangell has primarily played pop-jazz throughout his career, although he did a credible job playing some soulful alto with the straight-ahead GRP All-Star Big Band. The records he cut for GRP in the early '90s made him into a popular jazz attraction in the David Sanborn tradition.

A native of Denver, CO, Rangell learned how to play flute at the age of 15, and within six months, he was studying music at the Interlochen Arts Academy. Shortly afterward, he learned the saxophone, and in 1979 he won Down Beat's Best High School jazz Soloist competition. Following his graduation from high school, he attended the New England Conservatory of Music in Boston; this time, he won the Down Beat contest on the college level. In 1984, Rangell moved to New York. He spent three years in New York playing clubs and working as a sideman, not only on jazz sessions, but also on jingles and pop records.

Rangell finally began his solo career in 1987, releasing It's Beginning To and Back Again on the Gaia label. Two years later, he moved to GRP, where he released Playing for Keeps. His second album became a major jazz hit, and with each subsequent release, his popularity grew. His next four albums -- Far Away Day (1990), In Every Waking Moment (1992), Truest Heart (1993), Yes We Can ...And Then Some (1994) -- were all popular on the jazz charts. In addition to recording his solo albums, Rangell was involved in The GRP All-Star Big Band, playing both in the studio and on the road.

The Pick Of Destiny, an album that found Rangell incorporating hip-hop rhythms into his sound, was released in 1994. It was followed in 1997 by Turning Night Into Day; Far Away Day appeared three years later. In 2003, Rangell released his 12th album, the typically smooth and eclectic Look Now Look Again, followed by a collection of christmas essentials (All I Hope for Christmas) and the pop tribute album My American Songbook, Vol. 1. Souls To Deny was released in 2006. ~ Scott Yanow & Stephen Thomas Erlewine, Rovi