There are three projects known as Millipede.

1. The first Millipede lays down a caleidoscope of beat-driven melancholy, marked by an acute sense of memorable tunes which will persist long after each track fades. a panoramic of digital glitch, pounding rhythms and bass lines agglutinated by melodic ambience. Add to this the occasional carefully placed application of acoustic guitars, fender rhodes piano and electric bass, a unique and captivating album that crosses boundaries is the result; not isolated idm, glitch, or dark ambient but a combination of elements of them all and more.

2. The second was a musical experiment of Canadian artist Tyler Landry, most of which was composed between 2000 and 2003. No official albums were ever released and those that have any of Tyler's work acquired it because they knew him or appreciated his work enough to want it. Millipede "albums" were just given away or sold for a few dollars by Tyler himself. Tyler also had several side projects with his friends and continues to dabble in making music to this day. Though he has chosen to focus most of his creative energy on the visual arts rather then his music.

3. Millipede is the alias of Knoxville/Chattanooga, Tennessee musician Joseph Davenport. Began in 2005 with the release of the limited edition Aquamentus CD-R. Early releases were all related to the Legend of Zelda videogame series with titles such as the Hyrule cassette released on Ohio noise label Epicene ESR and split cassette with Brian Grainger titled Play Ancient Hylian Folk Songs on Milieu Music. Davenport has since left some of that videogame fixation behind although a 2008 album on NYC label INSTALL called Death Mountain was also in this style. The music itself has little or nothing to do with the videogame series or 8-bit/chiptune music. Instead it is an amalgamation of harsh noise in the style of luminaries such as Japanese artist Merzbow and the early '90s shoegaze music of groups such as My Bloody Valentine and Slowdive.

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