Too melodic to qualify as Ambient, too textural for Jazz, too familiar for the Avant-Garde, too contemporary to be considered Classical, too solemn for New Age and too deliberate to be wholely spacemusic, Meg Bowles easily exceeds the sum of her influences. Bowle's rich synthesizer tones slowly shift from hues of blue to gray as are sparse percussion samples that provide a sense of motion across darkened lands. Bowles' earthy synth textures and evokes emotions somewhere between Copeland's "Dark City" and Isham's "Romeo Is Bleeding". Her music plays out almost like the chapters of an old diary, each composition building on the one prior, until, at close, the listener achieves a sense of knowing the author and an understanding of their experience.

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