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Manolin captured the hearts of many Cubans in the late 1990s when he abandoned medicine to write catchy Salsa songs such as "La Bola." Typically, his songs begin with generic Salsa before breaking out with a high-energy percussion/bass-led Funk that often leads to screaming riff contests between the horn section and the chorus singers. Of limited vocal range, Manolin nonetheless relies on strong, rap-influenced, chorus vocals that frantically lead to full-force climaxes. A street level poet, he symbolizes the worldly aspirations and changing tastes of a disaffected generation


Top Songs

Total plays on over the last 6 months
  1. Somos Lo Que Hay  -  2,037 plays
  2. La Bola  -  422 plays
  3. Me Pase de Copas  -  177 plays
  4. Arriba De La Bola  -  135 plays
  5. La Vida No Es Tan Tan  -  144 plays
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