Meshing dreamy, feedback-drenched guitars with airy, catchy melodies, Lush were one of the most prominent shoegazing bands of the early '90s. Led by guitarists Miki Berenyi and Emma Anderson, the British band earned a cult following within the British and American undergrounds with its first EPs, yet the group never quite attained the critical respect given to its peers My Bloody Valentine and Ride. Even so, Lush lasted longer than any other of their contemporaries (with the exception of The Boo Radleys), developing sharp pop skills as their career progressed. By the time of their final album, 1996's Lovelife, they had converted themselves into a pop band with pop overtones, which resulted in the greatest chart success of their career. Their success was dealt a blow when drummer Chris Acland committed suicide in the fall of 1996, effectively bringing the band to an end.

Miki Berenyi, Emma Anderson, Chris Acland, Steve Rippon (bass), and Meriel Barham (guitar) formed Lush in 1988 in London, England. Prior to the group's formation, school friends Berenyi and Anderson had collaborated on a fanzine together, as well as played in a number of other bands individually. Anderson, who had been working as a DHSS clerical assistant, had played bass with the Rover Girls, while Berenyi had been a member of I-Goat, Fuhrer Five, and the Lillies. Berenyi's then-boyfriend, Acland had previous played with several other groups as well, including Panik, Infection, and A Touch of Hysteria. Barham left Lush soon after the band's formation to form Pale Saints, and the remaining members began playing around London, quickly earning a number of fans, including Robin Guthrie of Cocteau Twins. Gwen Guthrie helped the band secure a contract with 4AD Records, and they released their acclaimed debut EP, A Mark, A Mission, A Brand, A Scar, in 1989. Lush supported the EP with opening tours for Loop and The Darling Buds, and by 1990, they had graduated to headlining tours of their own.

Throughout 1990, the band's reputation in the British music press began to grow as they released the acclaimed EPs Mad Love and Sweetness and Light, played high-profile gigs like the Glastonbury Festival, and became favorites of the music weeklies' gossip columns. Noites de Gala, Samba Na Rua, an album compiling their three EPs, became the band's first American release at the end of 1990. Lush spent most of 1991 recording their debut album, releasing the Black Spring EP in the spring. rippon left the band during the sessions, and was replaced by Philip King, a former picture researcher for NME and a previous member of Felt, The Servants, and Biff Bang Pow!. Lush finally released their delayed debut album, Spooky Two, in the spring of 1992. While the album sold well, reaching the British Top Ten and topping the U.K. indie charts, it was criticized in the press for Gwen Guthrie's heavy-handed production. The band supported the album in America by appearing on the second Lollapalooza tour, but their pop wasn't well-received by an audience hungry for metal. Lush released their second album, Home Split Ep, in the summer of 1994 to mixed reviews. Home Split Ep was lost in the twin waves of brit pop and American post-grunge, even through the band's songwriting was more pop-oriented than ever.

After regrouping during 1995, Lush returned in early 1996 with Lovelife, an album that showcased a debt to the pop-single ideals of brit pop. The musical changeover paid off as "Single Girl" and "Ladykiller" became their two biggest hit singles, and the album became a British Top 20 hit; in America, it was their highest-charting album, even if it just scraped the charts at 189. Lush had completed their supporting tours and summer festival appearances when Chris Acland unexpectedly hanged himself in his parent's house on October 17, 1996. Devastated by his death, the remaining members of Lush went into a long period of mourning, eventually disbanding. ~ Stephen Thomas Erlewine, Rovi