Kurt Masur is one of the most respected conductors, not only for his rich, activities on behalf of human rights.

He learned cello and piano and studied at the Breslau Music School (1942-1944). After the war he found himself in the Soviet occupied zone of Germany, which became the German Democratic Republic (DDR) or "East Germany." His higher education was at the Leipzig Hochschule für Musik, where he studied piano, composition, and conducting (1946-1948).

His first appointment was as a coach and assistant conductor in a small theater, the Halle Landestheater. Then he became Kapellmeister of the Erfurt City Theater (1951-1953). Another step upward was his appointment as Kapellmeister of the Leipzig Opera Theater. (1953-1955).

His first orchestral position was as conductor of the Dresden Philharmonic (1955-1958). He returned to opera when he became Generalmusikdirektor of the Mecklenburg State Theater in Schwerin (1958-1960). One of his most important appointments came in 1960, when he took the post as Senior Director of Music at the Berlin Komische Opera, where he worked with the famous director and producer Walter Felsenstein.

He returned to the Dresden Philharmonic as its Music Director (1967-1972). In 1970 he became Gewandhauskapellmeister of Leipzig. This is a position of high prestige, for the Gewandhaus orchestra 9f Leipzig has been led by Felix Mendelssohn, Nikisch, Walter, and Furtwängler.

He remained in charge at the Gewandhaus through 1996, one of the most significant tenures in the orchestra's history. As its leader, he made numerous recordings for the East German state recording company, many of which became generally available in the West only during the 1990s. He took the orchestra on important foreign tours. In 1975 he became a professor at the Leipzig Academy.

He became outspoken in his opposition to DDR policies. In 1989 he led demonstrations against the Communist rule. These demonstrations became bolder throughout the country, culminating in the residents of East Berlin tearing down the hated Wall, and the complete collapse of East Germany and the reunification of Germany. As a result he was awarded the Cross of the Order of Merits of the Federal Republic of Germany. His name was seriously mentioned for the office of President of Germany.

In 1991 he was appointed Music Director of the New York Philharmonic. Although the orchestra was by no means in poor shape when he took it, he has been credited with sharpening its precision and giving it a tauter, more incisive sound. He records extensively with the orchestra on the Teldec label. Under his tenure, the orchestra resumed its historic series of live national radio broadcasts. It is the only orchestra in the United States that has such a program.

In 1996 he stepped down from his position with the Gewandhaus. That orchestra elected to give him the title of Conductor Laureate, the only time it has bestowed that honor. He had complained that there was pressure from the Philharmonic's board for him to retire, but late 1998 it was announced he would stay on through 2002 while the orchestra looked for a successor. He said then that he would participate in the search, and might stay longer "if we don't find someone." ~ Joseph Stevenson, Rovi