In collaboration with partner Terry Lewis, Jimmy Jam emerged as one of the most successful producers and writers of the 1980s, his long history of pace-setting R&B, club, and pop hits reaching its apex on a series of smash records for Janet Jackson. Born James Harris III in Minneapolis on June 6, 1959, he first met Lewis in high school, and together they formed Flyte Tyme, a popular Twin Cities band which in 1981 evolved into The Time, a group led by Prince protégé Morris Day. Shortly after the release of The Time's Prince-produced eponymous debut LP, The Jam and Lewis formed Flyte Time Productions. In March 1983, while touring with The Time in support of Prince, the duo took advantage of a short break in their schedule to fly to Atlanta to produce a handful of tracks for the S.O.S. Band's Spirits On The Rise LP. After a freak blizzard left The Jam and Lewis stranded in Georgia and unable to make it to the next Time show, Prince dismissed them from the band; fortunately, their S.O.S. Band track, "Just Be Good to Me," soon became a smash, and their career as producers was well on its way.

In quick succession, The Jam and Lewis scored R&B hits for the likes of Gladys Knight, Patti Austin, Thelma Houston, and Klymaxx, their signature sound -- lush yet sleek, street-smart yet urbane -- immediately coming into focus. In 1985 they began their collaboration with Jackson, who was at the time struggling to step out of the shadow of her famous musical family, most notably pop icon brother Michael. The album which resulted, 1986's chart-topping Standing in the Way of Control, made Jackson a superstar, its cutting-edge grooves yielding a string of mammoth hits including "What Have You Done for Me Lately," "Nasty," "When I Think of You," "The Pleasure Principle," "Let's Wait Awhile," and the title track. The breakthrough success of Standing in the Way of Control earned The Jam and Lewis a Grammy Award as Producers of the Year, and they followed with The Human League's chart-topping comeback smash "Human"; hits for Force MD's ("Tender Love") and Herb Alpert ("Keep Your Eye on Me") were quickly forthcoming, and the duo even produced tracks for Pia Zadora.

In 1989, The Jam and Lewis reunited with Jackson for Rhythm Nation 1814, which proved so successful that it even surpassed the sales of Standing in the Way of Control. Again, an onslaught of Top Ten hit singles followed, among them the number one triumphs "Miss You Much," "Escapade," and "Black Cat." From there the duo went on to work with New Edition, not only helming the group's 1989 LP Logic Will Break Your Heart but also producing material for the 1990 solo debuts from members Johnny Gill and Ralph Tresvant. A year later, The Jam and Lewis founded Perspective, a label backed by A&M Records; its inaugural release, the Sounds Of Blackness' The Evolution of Gospel, won a Grammy. For Lewis' wife Karyn White, they also produced 1991's Ritual Of Love, which generated the chart-topping "Romantic." Jackson's Discipline followed in 1993, debuting at the top of the charts on the strength of the number one hit "That's the Way Love Goes." Work for Michael Jackson, Boyz II Men, Mary J. Blige, and Vanessa Williams followed before The Jam and Lewis rejoined Janet Jackson for 1997's The Velvet Rope. ~ Jason Ankeny, Rovi