4 Shouts - 21,755 Scrobbles
In 1967 San Francisco's tenor saxophonist Dewey Redman (1931), who had already recorded an original Look for the Black Star (january 1966) for piano-based quartet, moved to New York and joined Ornette Coleman's quartet (1967-74). While his huge tenor counterpoint to Coleman's alto was mesmerizing the audience of free-jazz, Redman penned more originals for a trio session with the Art Ensemble of Chicago's bassist Malachi Favors and Don Cherry's drummer Ed Blackwell, Tarik (october 1969), particularly Paris? Oui!, Lop-O-Lop and Related and Unrelated Vibrations.
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