As the longtime drummer behind Elvis Presley, D.J. Fontana was a seminal force in the development of rock n roll, joining guitarist Scotty Moore and bassist Bill Black in the supporting cast of some of the most enduring and influential records ever created. Bridging the gap between the swing of the big beat drummers and the raw power of their british counterparts, Fontana was explosive yet efficient, establishing the rhythmic foundation upon which successive generations of popular music is built. No less an authority than The Band's Levon Helm once stated "Elvis Presley and Scotty and Bill were making good music, but it wasn't rock n roll until D.J. put the backbeat into it."

Born Dominic Joseph Fontana in Shreveport, LA, on March 15, 1931, he first earned notice drumming behind T. Tommy Cutrer, a radio personality with Shreveport station KCIJ who moonlighted as a country singer. Fontana also played local nightclubs and strip joints, and in 1953 was named the house drummer of The Louisiana Hayride, the legendary radio showcase broadcast each Saturday evening from Shreveport's Municipal Auditorium. So not to offend country purists, he was forced to perform from behind the stage curtain. Fontana remained out of sight on October 16, 1954, when he backed Elvis Presley, Moore, and Black during their first Hayride appearance. Fontana was the first drummer ever to back Elvis Presley on-stage, steadfastly avoiding his cymbals and playing only the backbeat in order to best complement the music.

Although audience response was mixed, Hayride producers invited Elvis Presley for a return engagement the following month. This time Fontana performed in front of the curtain, and when Elvis Presley's stage gyrations sent the mostly young, mostly female crowd into screaming fits, the singer was offered a 12-month contract with the program. At the end of their Louisiana Hayride tenure in November 1955, Moore and Black convinced Elvis Presley to add Fontana to the lineup full-time, and after the RCA label acquired the singer's recording contract from Sun Records, Fontana cut his first studio session on January 10, 1956, backing Elvis Presley on five songs, including his million-selling breakthrough hit, "Heartbreak Hotel." Fontana's résumé is remarkable by any standard: he remained with Elvis Presley for 14 years, playing on more than 400 songs and close to 50 recording sessions across a 12-year span, among them landmark hits including "Hound Dog," "Don't Be Cruel," and "Jailhouse Rock."

Although Moore and Black walked out on Elvis Presley in 1958 in response to a royalty dispute with manager Colonel Tom Parker, Fontana remained with the organization. Moore eventually returned to the fold, and in late 1965 both men served as pallbearers at Black's funeral. Moore and Fontana also backed Elvis Presley during his legendary 1968 NBC television comeback special, effectively serving as a security blanket against the singer's apprehensions about returning to lean, mean rock n roll following so many years of bloated Hollywood pap. Fontana finally cut ties with Elvis Presley once and for all in early 1969. He, Moore, and longtime backing vocalists The Jordanaires balked at Parker's latest salary offer, and when The Colonel called their bluff, quickly assembling a new backing crew, it was all over. Fontana settled in Nashville to pursue a session career, and in the years to follow he played on records headlined by Paul McCartney, Johnny Cash, Dolly Parton, and Waylon Jennings. In 1983 Fontana published his memoirs, D.J. Fontana Remembers Elvis, and in August 1997 -- the 20th anniversary of Elvis Presley's death -- he and Moore reunited for All the King's Men, a Grammy-winning collection featuring cameos by The Rolling Stones' Keith Richards, fellow guitar great Jeff Beck, and members of The Band. ~ Jason Ankeny, Rovi