Billy Bauer (1915-2005) was one of the great (and often overlooked) jazz guitarists of the 20th century.

Bauer established himself early on in the New York jazz scene. Playing with artists such as Benny Goodman and Jack Teagarden. Bauer established himself as a solid rhythm player; however, it was in the small groups that emerged from these bands that Bauer established himself as a significant soloist in the evolving bebop movement. Bauer's solo work with these groups has been cited as some of the best examples of early bebop guitar. But, more significantly, his solo work has been cited as some of the most progressive playing for any era.

Bauer continued his pioneering guitar work with Lee Konitz in the 50's and 60's. Bauer found a kindred musical spirit in Konitz. Konitz's avant-garde saxophone work was a perfect match for Bauer's advanced guitar. Together, the two musicians demonstrated a unique musical dialogue across a range of styles from bop and cool to the avant-garde. Duet For Saxophone and Guitar, was an unusual instrument paring, that really allowed Bauer’s great musicianship to be heard. Early in 1956, Bauer made a recording under his own name. Plectrist put Bauer front and center throughout, playing great jazz guitar.

In the history of jazz guitar there have been many examples of great musicians who are often overlooked for the enormous influence they had. He led the way for guitarists like Jimmy Raney and student Joe Satriani. Together with Tristano, they brought the piano, guitar, bass trio to a whole new level.

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