Bass Kleph & Anthony Paul
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He's a Beatport and ARIA dance chart #1 act and remixer. The boss of two labels, a successful pop songwriter and one of the few truly and awesomely live jamming DJs on the festival circuit - Bass Kleph can do it all.
He started both 2010 and 2011 with Beatport #1s - the first his enormous remix of Shakedown, and the second with his own track I'll be OK. Then an ARIA chart #1 in his native Australia, four tours of the US, his first gig in the mainroom of Ministry in the UK, a local tour for his 2011 compilation BASS KLEPH: PRESENTS - and the continuing success of his live touring outfit BKCA with pop songwriter Chris Arnott.
But his success hasn't come from nowhere. To understand Stu Tyson, as he's known offstage, you've got to know a little about his history.
First, he's been practicing his craft forever. Most kids are still at school at age 15, but as a teenager Bass Kleph was touring Australia and New Zealand as the drummer of a hugely successful three-piece rock act, Loki. Playing live in grubby rock venues, he says, gave him his earliest understandings that there's a dynamic to making crowds dance. A catchy rhythm won't catch without the hypnotism of an irresistable hook - but then even the most nagging hook won't shuffle the feet until it's bent out of shape by the thunder of a serious rhythm section.
Really, the rock world had no chance of holding on to him. As Bass Kleph says, "I remember when Loki got its first album back from mastering. I'd been listening to Squarepusher and The Prodigy. Everyone else was stoked with the way the album sounded - but I thought 'why are the drums so quiet? Why is it all about the guitar?'"
And why, he thought, couldn't Loki do more with that cool little bit of equipment he'd found in the back of the studio - a drum machine?
Loki imploded eventually, the inevitable result of the music industry trying to screw all it could out of the band's three teenage members. Bass Kleph left, determined that he wouldn't taken in by the empty promises of the industry again - but also that next time round he wanted to do it differently. A more electronic sound, focused on his new obsession, DJing.
That was 15 years ago. Bass Kleph been DJIng just about weekly now for 10 years - and the DJ booth is still one of his favourite places to be. He started in breaks, but soon pushed aside that genre's limitations to add new, more subtle shades to his dancefloor palette - hypnotic techy grooves, jackin' electro, and the curveballs that distinguish a real musician from the average gigging DJ. And recently he's moved into jamming and grooving with Native Instruments Maschine, writing new riffs on the fly, playing live drums, and - like all great live musicians - every once in a while holding his instrument above his head and playing blind to the screams of the crowd.
Sure, Bass Kleph's earliest gigs took advantage of his unique understanding of how to bring a crowd to its peak as part of a live band. But it's the hundreds and hundreds of gigs since, from tiny clubs to huge festival stages, that taught him the craft of DJing and playing live, developing a style that now can push the most beard-stroking underground crowd into a hand-waving frenzy, or lock a mainstream crowd into a dark, heads-down and wordless groove.
And of course, there's no-one like Bass Kleph for proving the cliche that the best DJs get the girls on the dancefloor.
However, it's not just about DJing. In 2007, Bass Kleph founded Vacation Records, followed in 2009 by the more stripped-back sound of Exit Row. Releasing and collaborating with international talent like Wolfgang Gartner, Micky Slim, Mowgli, and big locals like Hook n Sling, Stupid Fresh, Twocker, Tommy Trash, fRew, Dopamine, Bass Kleph's labels and his music have helped popularise a wonderfully Australian view of the world. From the label's lazy-days artwork to track titles like Keyboard Cat, Bump Uglies, and But Enough About Me, it's irreverent, but it's also humble and self-depreciating - so today the label's fans stretch from the stadium players like John Aquaviva, Crookers, Rene Amesz, Mark Knight, and Kissy Sell Out to the brightest lights of the techno underground like Alex Kenji, Popof, and Fergie.
Not bad for a man whose teenage self "just wanted to get on stage and bang some drums". As Bass Kleph says, "I love it. I love the journey, because there's always something new coming in music, in DJing, with songwriting. If I won ten millions dollars in the lotto tomorrow, I'd still keep playing live and DJing and writing music - what else is this much fun?"
Anthony Paul's energy and love for the music has been an inspiration for many people, both musically and not. He is definitely a force to be reckoned with when he's behind the decks, being able to capture the element of the moment, and adapt to any situation. He classifies his music as House, and his music ranges from driving progressive to tech house, and electro.
In late 2001 he began using three turntables in his club DJ sets while playing progressive house. Then, in mid 2002, he added a drum machine to his performance.
In 2002, alone, Anthony Paul had performed at over 100 parties. This also included four monthly residencies before he decided to hold his own weekly called Pulse at a venue known as Hartz in Virginia Beach, Virginia. He held this weekly event over nine months until he decided to willingly pass the night on to another eager promoter so he could focus more of his energy on his DJ career and music production. This allowed him to DJ in various cities, and states, along the east coast including New England, Washington, D.C., North and South Carolina, Tennessee, and Florida. Within a few years form then he had released many songs that could be found all over the world. His original music, and remixes, can now be found, and purchased, on most digital download websites.
Anthony Paul was interviewed by Ninevolt Magazine for their electronic music section in 2003 (issue No.113, April 8, 2003; Page 21). In March 2005, he was voted one of the top 5 EDM DJ's in Hampton Roads after Ninevolt had its "6th Annual Ninevolt Local Music Awards" (issue No.146; page 25).
In the later part of 2005 Anthony Paul and a local promoter began a night known as Euronight at a club called Granby Theater. At the time, this was the major hot spot in Virginia. Once a month, for over 3 years, hundreds upon thousands would come through the doors for a night full of house music and friendly vibes at a party which had a theme of a different country for each event. For example, Euronight Greece had the countries flag hanging from the banisters inside, and the billboard on the front of the club. The dancers wore outfits matching the colors of the countries flag, and even a few remixes of popular Greek songs were played during the peak hours.
Other countries that were celebrated, in 2007, were Sweden (February 3rd), Austria (March 3rd), UK (April 7th), Italy (June 3rd), Russia (July 8th), Bulgaria (August 5th), Spain (September 2nd), Greece (October 7th), Germany (November 4th) and European Union (Dec 2nd).
Word of Euronight quickly spread throughout Virginia, and neighboring states. This was one event DJs wanted to play at, and it became clear when demos from DJs all over the east coast flooded Anthony Paul’s mailbox. Many guest DJs were booked Including Rhythm at Work DJs Gary Willis and Jamie Foat who DJ for/on Ministry of Sound Radio. They played at Euronight UK, and then returned for Euronight Union: 1 year anniversary. Donald Glaude, who is a world famous DJ and producer, performed at Euronight Union: 2 Year Anniversary which was on December 1, 2007. D:Fuse, who is another world famous DJ and producer, also played at Euronight August 2, 2008.
In January of 2007, Pulse was reborn at the Granby Theater, and was held on the third Saturday of each month. Anthony Paul now had two separate parties that each drew in hundreds of eager electronic music patrons, and both were at full force.
In July 2007, Anthony Paul performed at Club Plastic which is located in Ibiza, Spain. Ibiza is an famous for having some of the biggest parties and best venues in the world.
Anthony Paul left Euronight in December 2008, and became part of a new, yet short lived club called Southern Star which involved world famous acts such as Noel Sanger, DJ Irene, and others!
In June of 2009 Anthony Paul was the opening act for Dean Coleman, a popular internationally known DJ. In August of 2009 Anthony Paul opened for The Crystal Method at The Norva, one of the biggest venues in all of Virginia.
Top SongsTotal plays on Last.fm over the last 6 months
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- Helium - Karton Remix - 254 plays
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- Helium (Micky Slim remix) - 318 plays
- Helium - Wolfgang Gartner Remix - 168 plays
- Helium (Adam Bozzetto Remix) - 97 plays