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Italian composer, librettist and poet (February 24th, 1842, Padova - 1918, Milan)Read More...
Although chiefly remembered for his work as a librettist, essentially for Verdi (he wrote the libretto for his two Shakespearean adaptations: Falstaff and Othello and revised the text for Simon Boccanegra), he also wrote the full libretto and music for one single opera: Mefistofele, now part of the common international repertoire.
Thanks to a composition prize he was awarded as a student, he was able to travel through the rest of Europe and spent two years visiting Poland (where is mother was from), England, Germany and France (where he met Hugo, Berlioz, Rossini and Verdi). He was particularly impressed by the opera works of Richard Wagner and Ludwig Van Beethoven, whose powerful and dramatic presentation he used to reshape traditional elements of Italian opera. The result was Mefistofele, an opera inspired by Goethe's Faust, completed at the age of 24 and released under heavy critique from the religious parties who strongly objected to his modernist approach of the traditional Faust thematic (objected being a rather soft word for the barrage of hiss, fits and other half-expressed wishes to see him burnt alive on public place for his sacrilege).
After much editing and rewriting, Mefistofele was released again a few years later to a somewhat more appreciative audience, but Boito seemed to have lost most of his musical inspiration by then. From thereafter, he focused on writing and produced the librettos for Amilcare Ponchielli's La Gioconda (1875) and Verdi's Othello (1883) and Falstaff (1890).
Top SongsTotal plays on Last.fm over the last 6 months
- Boito: Nerone: Che tenti?... Esploro - 978 plays
- Act 2: Scene 2: Walpurgis Night: Su, cammina, cammina, cammina - 622 plays
- Boito: Nerone: Simon... Tu! Qui? - 380 plays
- The Night Of Sabbath: Ecco il mondo (From "Mefistofele") - 176 plays
- Boito: Mefistofele: Ecco il mondo - 147 plays
- Boito: Mefistofele: Prelude - 128 plays
- Act 4: The Night of the Classical Sabbath: Forma ideal purissima della bellezza eterna - 102 plays
- Mefistofele - Dai campi, dai prati - 177 plays
- Mefistofele / Act 4: "Giunto sul passo estremo" - 132 plays
- Mefistofele / Act 1: "Dai campi, dai prati" - 147 plays